• Fresh Meat Friday - Glasfurd and Walker: The Juice Cleanse

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    The Juice Cleanse is The Juice Truck's latest product to launch in Vancouver BC. The Juice Truck engaged Glasfurd & Walker to work on positioning, naming, identity, packaging, and art direction as an extension of their already successful brand.

    The cleanses come in 3, 5 and 7 day durations with a total of 12 packaged juices. Each Juice Cleanse is designed to promote overall health, energy and happiness. The brand is not focussed around a diet or starvation cleanse and were carefully formulated with their nutritionist to achieve maximum results, with flavour and taste being of primary importance. A health conscious and ethical approach to cleansing needed to be communicated in an educational, yet light hearted and friendly way. The brand language is a development and extension of the Juice Truck identity that uses light humour and direct, no-fuss language and iconography to communicate their products offer.

    As with many cleanses, there are juices that focus on nutritional benefits over aesthetic appeal, therefore brand imagery was created that highlighted the core ingredients and freshness of the juices with distinct style and colour for promotional and brand material.

    See more here: http://www.glasfurdandwalker.com/The-Juice-Cleanse

  • In Memorium: GARY PROUK 1944 – 2013

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    Gary Prouk, one of the most prominent figures in Canadian advertising, has passed away.

    Known for his eloquence, strong opinions and cutting wit, Prouk began his advertising career at MacLaren Advertising after moving from Toronto to New York to try his hand at writing and poetry.

    “They hired me at $35 a week ($1,800 a year) to write ads for Hunt’s and Woman’s Bakery and Eno’s Fruit Salts,” Prouk told Doug Linton for a 2008 profile in Marketing. From there, his talent and passion for advertising grew when, working at Ronalds-Reynolds, he began working on the Ballantine’s whisky account, for which he won a New York Art Director’s Show award.

    “I knew I had a talent for writing advertising,” he said. “And I was really impressed with the fact something you created could be seen by millions.”

    He first came to prominence in Canada when he joined the just-opened Toronto office of DDB in 1967. He would be named its creative director at the age of 26 and move to New York before returning to Canada to become CD and chairman of Scali McCabe Sloves (SMS) in 1978, where he stayed until 1994.

    In his various senior roles at Canadian agencies, Prouk had strong connections to several of the industry’s biggest names – leaders such as Bill Bernbach, one of DDB’s founding fathers. Writing to Bernbach to resign from the agency in 1978 was a painful experience. “He and my mother gave me my value system,” he told Linton. “DDB was the family I never really had. Bill was the father I always wanted.”

    In turn, Prouk himself became a defining figure in many careers that now shape Canadian agencies.

    “He’s the reason I became a writer. He’s the reason I’m in advertising.” said Brett Channer, president and CCO of Red Lion. Prouk hired him in 1986 to join the account team at Scali (an agency that famously won Labatt Blue, “probably the lengthiest, most hotly contested account acquisition in the history of Canadian advertising” according to Linton). However, Channer said Prouk’s love of language inspired him to switch to the agency’s creative team.

    “He was a genius who intimidated the hell out of me, but as I got to know him I realized that he was a very kind man,” Channer said. “He taught me all the important things of what an ad’s supposed to do, how to write a brief, how to come at an idea as a team.

    “He was very much a play-hard-work-hard kind of guy. At Scali, he taught me how to really push everything – the idea, the team, yourself – but to reward yourself as well.”

    Prouk shared many anecdotes from his lengthy career with Linton, now chair of the Canadian Advertising Museum, for the profile a lengthy bio in 2008 called “Passion of the Prouk,” which includes more details on Prouk’s history in the industry.

    At the time of his death, Prouk was a partner at Sebastian Consultancy alongside his wife and business partner Susan Andrews. Sebastian has overseen work for clients such as Natrel and Lindt, among others.

    VIA: Marketing Magazine

  • BC Children's Hospital Needs More Space (Still)

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    BC Children's Hospital Foundation - 'Operating Room' from thisisdare on Vimeo.

    Agency: Dare, Vancouver
    Creative Director: Bryan Collins, Rob Sweetman
    Associate Creative Director: Addie Gillespie, Mia Thomsett
    Copywriter: Addie Gillespie, Mia Thomsett
    Art Director: Addie Gillespie, Mia Thomsett
    Producer: Mike Hasinoff
    Account Supervisor: Natalie Wu, Marcel Da Silva
    Planner: Catherine Piercy
    Production Company: OPC, Toronto
    Executive Producer: Harland Weiss, Donovan Boden
    Producer: Tony Di Marco
    Director: Miles Jay
    DoP: Andre Pienaar
    Post-production: PosterBoy Edit, Toronto
    Executive Producer: Michelle Lee
    Editor: Mark Paiva
    Online & Visual Effects: Crush, Toronto
    Executive Producer: Jo-ann Cook
    Online Producer: Emma Wojick
    VFX Artist: Kaelem Cahill
    Telecine: Alter Ego, Toronto
    Executive Producer: Greg Edgar
    Telecine Producer: Jane Garrah
    Colorists: Eric Whipp, Wade Odlum
    Sound Design: Adelphoi Music, London
    Executive Producer: Greg Moore
    V/O Casting & Record: GGRP, Vancouver
    Producer/Director: Alistair Abell
    Sound Engineer: James Spooner
    Sound Mix: Koko Productions, Vancouver
    Executive Producer: Steve Lowe
    Sound Engineer: Chris Hobbs

  • BC Children's Hospital Needs More Space

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    BC Children's Hospital Foundation - 'Hospital Ward' from thisisdare on Vimeo.

    Agency: Dare, Vancouver
    Creative Director: Bryan Collins, Rob Sweetman
    Associate Creative Director: Addie Gillespie, Mia Thomsett
    Copywriter: Addie Gillespie, Mia Thomsett
    Art Director: Addie Gillespie, Mia Thomsett
    Producer: Mike Hasinoff
    Account Supervisor: Natalie Wu, Marcel Da Silva
    Planner: Catherine Piercy
    Production Company: OPC, Toronto
    Executive Producer: Harland Weiss, Donovan Boden
    Producer: Tony Di Marco
    Director: Miles Jay
    DoP: Andre Pienaar
    Post-production: PosterBoy Edit, Toronto
    Executive Producer: Michelle Lee
    Editor: Mark Paiva
    Online & Visual Effects: Crush, Toronto
    Executive Producer: Jo-ann Cook
    Online Producer: Emma Wojick
    VFX Artist: Kaelem Cahill
    Telecine: Alter Ego, Toronto
    Executive Producer: Greg Edgar
    Telecine Producer: Jane Garrah
    Colorists: Eric Whipp, Wade Odlum
    Sound Design: Adelphoi Music, London
    Executive Producer: Greg Moore
    V/O Casting & Record: GGRP, Vancouver
    Producer/Director: Alistair Abell
    Sound Engineer: James Spooner
    Sound Mix: Koko Productions, Vancouver
    Executive Producer: Steve Lowe
    Sound Engineer: Chris Hobbs

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